{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://api.fitz.ms/data-distributor/iiif/object-81321/manifest","label":"print","metadata":[{"label":"Description","value":"Two letters from Miss Rushforth relating to the gift are stored with the print. They provide some biographical detail; Yolande Marie Louise de Varnay (sometimes known as Pauline Duvernay) was a ballerina, trained by Marie Taglioni, and married Mr Lyne-Stephens, a wealthy Englishman in 1845. She moved to Lynford Hall, Near Norwich, Norfolk and when her husband died in 1861 she was left with a vast fortune. The widow formed a passionate attachment to a general who had been British Ambassador to France, which apparently caused a scandal. After the death of the general, Mrs Lyne-Stephens decided to give her money to charities and built the Church of Our Lady and the English Martyrs in Cambridge. Within the chruch is a bust of the widow and the coat of arms of her husband. The original portrait by Carolus-Duran was at some point on display in the church. Mrs Lyne-Stephens died in 1894."}],"description":"Two letters from Miss Rushforth relating to the gift are stored with the print. They provide some biographical detail; Yolande Marie Louise de Varnay (sometimes known as Pauline Duvernay) was a ballerina, trained by Marie Taglioni, and married Mr Lyne-Stephens, a wealthy Englishman in 1845. She moved to Lynford Hall, Near Norwich, Norfolk and when her husband died in 1861 she was left with a vast fortune. The widow formed a passionate attachment to a general who had been British Ambassador to France, which apparently caused a scandal. After the death of the general, Mrs Lyne-Stephens decided to give her money to charities and built the Church of Our Lady and the English Martyrs in Cambridge. Within the chruch is a bust of the widow and the coat of arms of her husband. The original portrait by Carolus-Duran was at some point on display in the church. Mrs Lyne-Stephens died in 1894.","sequences":[{"@type":"sc:Sequence","@id":"https://api.fitz.ms/data-distributor/iiif/object-81321/sequence/normal","canvases":[{"@type":"sc:Canvas","@id":"https://api.fitz.ms/data-distributor/iiif/object-81321/canvas/1","label":"Pauline Duvernay, Emile Boilvin after Carolus-Duran","thumbnail":{"@type":"dctypes:Image","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-3964388402/full/150,/0/native.jpg"},"height":4723,"width":3313,"images":[{"@type":"oa:Annotation","@id":"https://api.fitz.ms/data-distributor/iiif/object-81321/image/1/zoom","motivation":"sc.painting","on":"https://api.fitz.ms/data-distributor/iiif/object-81321/canvas/1","resource":{"@type":"dctypes:Image","format":"image/jpeg","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-3964388402/full/full/0/native.jpg","height":4723,"width":3313,"service":{"@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-3964388402","@context":"http://iiif.io/api/image/1/context.json","profile":"http://iiif.io/api/image/2/level2.json"}}}]}]}],"license":"https://creativecommons.org/licenses/by-nc-nd/4.0/","attribution":"These images are \u00a9 The Fitzwilliam Museum. These works are licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0) https://creativecommons.org/licenses/by-nc-nd/4.0/"}