{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://api.fitz.ms/data-distributor/iiif/object-214458/manifest","label":"Valentine card","metadata":[{"label":"Description","value":"Loose inside album P.14346-R between nos. 3 and 4. Aquatint and etching with hand-colouring on 4to-sized embossed white wove paper (front paper only). From 'The Despondent Lover' (or 'The Unrequited Love') series. The border is lightly embossed with a design of leaves and flowers with lines of verse etched below, the embossing along the lower margin flattened by the printing process where the plate has been badly positioned: \"What can I say or send to prove / to thee my constancy and love / yet this may give some pledge to thee / And speak in silent truth for me.\" An inner etched border of a design featuring swans swimming on a pond and winged putti surrounds the central panel which shows a couple wearing 17th-century dress in an interior, the woman writing at a table. This is the same number from the series as P.14346-R-11. Frank Staff says of the series: 'The central picture of each shows a delightful aquatint, beautifully coloured and finished by hand. Although some of the scenes depict young ladies in grief, and one shows a jilted lover, not all of them are unhappy. ... The set numbers fourteen in all, which was recognised as the regular \"valentine dozen\".' The series was originally published in the 1830s, it is presumed, by Joseph Addenbrooke. However, according to Frank Staff: 'It has been noted that a set of this series is known on paper watermarked '1828', with Addenbrooke's name imprinted. Some time later, it seems likely that the plates came into someone else's possession, who filed off Addenbrooke's name from them and reprinted the entire series on un-watermarked paper. This could explain the plentiful supply still available and the comparatively worn state of the embossing on some copies.' See, Frank Staff, _The Valentine & Its Origins_, Lutterworth Press, London, 1969, figure 64, p. 60 and pp. 62-3. The Glaisher examples are on un-watermarked paper and without a maker's stamp and are most likely later reprints. The Museum of London holds examples of these prints, which are later reprints made by Jonathan King and they date them circa 1870-1885."}],"description":"Loose inside album P.14346-R between nos. 3 and 4. Aquatint and etching with hand-colouring on 4to-sized embossed white wove paper (front paper only). From 'The Despondent Lover' (or 'The Unrequited Love') series. The border is lightly embossed with a design of leaves and flowers with lines of verse etched below, the embossing along the lower margin flattened by the printing process where the plate has been badly positioned: \"What can I say or send to prove / to thee my constancy and love / yet this may give some pledge to thee / And speak in silent truth for me.\" An inner etched border of a design featuring swans swimming on a pond and winged putti surrounds the central panel which shows a couple wearing 17th-century dress in an interior, the woman writing at a table. This is the same number from the series as P.14346-R-11. Frank Staff says of the series: 'The central picture of each shows a delightful aquatint, beautifully coloured and finished by hand. Although some of the scenes depict young ladies in grief, and one shows a jilted lover, not all of them are unhappy. ... The set numbers fourteen in all, which was recognised as the regular \"valentine dozen\".' The series was originally published in the 1830s, it is presumed, by Joseph Addenbrooke. However, according to Frank Staff: 'It has been noted that a set of this series is known on paper watermarked '1828', with Addenbrooke's name imprinted. Some time later, it seems likely that the plates came into someone else's possession, who filed off Addenbrooke's name from them and reprinted the entire series on un-watermarked paper. This could explain the plentiful supply still available and the comparatively worn state of the embossing on some copies.' See, Frank Staff, _The Valentine & Its Origins_, Lutterworth Press, London, 1969, figure 64, p. 60 and pp. 62-3. The Glaisher examples are on un-watermarked paper and without a maker's stamp and are most likely later reprints. The Museum of London holds examples of these prints, which are later reprints made by Jonathan King and they date them circa 1870-1885.","sequences":[{"@type":"sc:Sequence","@id":"https://api.fitz.ms/data-distributor/iiif/object-214458/sequence/normal","canvases":[{"@type":"sc:Canvas","@id":"https://api.fitz.ms/data-distributor/iiif/object-214458/canvas/3","thumbnail":{"@type":"dctypes:Image","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-2417004671/full/150,/0/native.jpg"},"height":4990,"width":4465,"images":[{"@type":"oa:Annotation","@id":"https://api.fitz.ms/data-distributor/iiif/object-214458/image/3/zoom","motivation":"sc.painting","on":"https://api.fitz.ms/data-distributor/iiif/object-214458/canvas/3","resource":{"@type":"dctypes:Image","format":"image/jpeg","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-2417004671/full/full/0/native.jpg","height":4990,"width":4465,"service":{"@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-2417004671","@context":"http://iiif.io/api/image/1/context.json","profile":"http://iiif.io/api/image/2/level2.json"}}}]}]}],"license":"https://creativecommons.org/licenses/by-nc-nd/4.0/","attribution":"These images are \u00a9 The Fitzwilliam Museum. These works are licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0) https://creativecommons.org/licenses/by-nc-nd/4.0/"}