{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://api.fitz.ms/data-distributor/iiif/object-178791/manifest","label":"book of hours","metadata":[{"label":"Description","value":"PHYSICAL DESCRIPTION: Parchment, i paper flyleaf + i parchment flyleaf + 218 fols. + i paper flyleaf, 120 x 85 mm (77 x 42 mm), 13 long lines, ruled in hard point, catchwords, leaves lost between fols. 51-52, 55-56, 179-180, 182-183\n\nBINDING: Eighteenth century, re-used vellum over pasteboards\n\nCONTENTS:\nfols. 1r-88v Hours of the Virgin, with variants for Advent and other seasons (imperfect, missing end of Terce and beginning of Sext, end of Sext and beginning of None)\nfol. 89r Formula for blessing before and after reading the lessons\nfols. 90r-118v Penitential Psalms and Litany\nfols. 119r-169v Office of the Dead\nfols. 179v-182r Short Hours of the Cross (begins imperfectly, missing Matins to Terce), with rubricated indulgence of Pope John XXII\nfols. 182v-215v Hours of the Passion (begins imperfectly)\n\nDECORATION: Three large historiated initials formed of gold, blue, green and pink bands on blue grounds with delicate white floral patterns, and full borders: fol. 2r Hours of the Virgin, Matins, [D, 7 ll.] Virgin adoring the Child who is holding a bird and reclining in the lower curve of the initial, with full white vine-scroll border on blue, green and pink ground sprinkled with triple white dots, surrounded by spraywork with gold balls, and containing birds, putti, a stag, a female bust, five medallions with busts of prophets linked by gold bars, and a laurel wreath in the lower border supported by two dolphins and enclosing a shield of unidentified arms (per fess or and sable, two chains in saltire counterchanged or and azure; possibly a variant of the arms of the Alberti family), impaling the arms of the Ricci (azure sem\u00e9 of stars and hedgehogs); fol. 90r Penitential Psalms, [D, 6 ll.] David penitent, with full floral border containing putti, birds, mythical hybrids, a classicizing vase supported by two rabbits, three busts of prophets within medallions linked by interlaced gold bars, and a quatrefoil showing David beheading Goliath in the lower border; fol. 119r Office of the Dead, [V, 6 ll.] Half-length skeleton, with full white vine-scroll border containing putti, birds, animals, two skulls in medallions, and, in the lower border, a coffin covered by a pall, with three clerics chanting from a book.\n\nThirteen small historiated initials [4 ll.] in gold on white-patterned blue or pink grounds, enclosing half-length figures of saints or virgins, and accompanied by one-sided white vine-scroll borders on blue, green and pink grounds sprinkled with triple white dots and terminating in spraywork with gold balls (fols. 27r, 41v, 47r, 60v, 70r, 171r, 194r, 198r, 200v, 203r, 205v, 208r, 212r).\n\nPen drawing of the sacred monogram YHS within a decorative medallion (fol. 88v).\n\nORNAMENTATION: Gold initials [2 ll.] on pink, blue and green grounds with geometric pattern in white or yellow; alternate gold and blue one-line initials."}],"description":"PHYSICAL DESCRIPTION: Parchment, i paper flyleaf + i parchment flyleaf + 218 fols. + i paper flyleaf, 120 x 85 mm (77 x 42 mm), 13 long lines, ruled in hard point, catchwords, leaves lost between fols. 51-52, 55-56, 179-180, 182-183\n\nBINDING: Eighteenth century, re-used vellum over pasteboards\n\nCONTENTS:\nfols. 1r-88v Hours of the Virgin, with variants for Advent and other seasons (imperfect, missing end of Terce and beginning of Sext, end of Sext and beginning of None)\nfol. 89r Formula for blessing before and after reading the lessons\nfols. 90r-118v Penitential Psalms and Litany\nfols. 119r-169v Office of the Dead\nfols. 179v-182r Short Hours of the Cross (begins imperfectly, missing Matins to Terce), with rubricated indulgence of Pope John XXII\nfols. 182v-215v Hours of the Passion (begins imperfectly)\n\nDECORATION: Three large historiated initials formed of gold, blue, green and pink bands on blue grounds with delicate white floral patterns, and full borders: fol. 2r Hours of the Virgin, Matins, [D, 7 ll.] Virgin adoring the Child who is holding a bird and reclining in the lower curve of the initial, with full white vine-scroll border on blue, green and pink ground sprinkled with triple white dots, surrounded by spraywork with gold balls, and containing birds, putti, a stag, a female bust, five medallions with busts of prophets linked by gold bars, and a laurel wreath in the lower border supported by two dolphins and enclosing a shield of unidentified arms (per fess or and sable, two chains in saltire counterchanged or and azure; possibly a variant of the arms of the Alberti family), impaling the arms of the Ricci (azure sem\u00e9 of stars and hedgehogs); fol. 90r Penitential Psalms, [D, 6 ll.] David penitent, with full floral border containing putti, birds, mythical hybrids, a classicizing vase supported by two rabbits, three busts of prophets within medallions linked by interlaced gold bars, and a quatrefoil showing David beheading Goliath in the lower border; fol. 119r Office of the Dead, [V, 6 ll.] Half-length skeleton, with full white vine-scroll border containing putti, birds, animals, two skulls in medallions, and, in the lower border, a coffin covered by a pall, with three clerics chanting from a book.\n\nThirteen small historiated initials [4 ll.] in gold on white-patterned blue or pink grounds, enclosing half-length figures of saints or virgins, and accompanied by one-sided white vine-scroll borders on blue, green and pink grounds sprinkled with triple white dots and terminating in spraywork with gold balls (fols. 27r, 41v, 47r, 60v, 70r, 171r, 194r, 198r, 200v, 203r, 205v, 208r, 212r).\n\nPen drawing of the sacred monogram YHS within a decorative medallion (fol. 88v).\n\nORNAMENTATION: Gold initials [2 ll.] on pink, blue and green grounds with geometric pattern in white or yellow; alternate gold and blue one-line initials.","sequences":[{"@type":"sc:Sequence","@id":"https://api.fitz.ms/data-distributor/iiif/object-178791/sequence/normal","canvases":[{"@type":"sc:Canvas","@id":"https://api.fitz.ms/data-distributor/iiif/object-178791/canvas/14","label":"Book of Hours, by Ricciardo di Nanni","thumbnail":{"@type":"dctypes:Image","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-672599033/full/150,/0/native.jpg"},"height":5344,"width":4008,"images":[{"@type":"oa:Annotation","@id":"https://api.fitz.ms/data-distributor/iiif/object-178791/image/14/zoom","motivation":"sc.painting","on":"https://api.fitz.ms/data-distributor/iiif/object-178791/canvas/14","resource":{"@type":"dctypes:Image","format":"image/jpeg","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-672599033/full/full/0/native.jpg","height":5344,"width":4008,"service":{"@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-672599033","@context":"http://iiif.io/api/image/1/context.json","profile":"http://iiif.io/api/image/2/level2.json"}}}]},{"@type":"sc:Canvas","@id":"https://api.fitz.ms/data-distributor/iiif/object-178791/canvas/17","label":"book of hours","thumbnail":{"@type":"dctypes:Image","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-693556988/full/150,/0/native.jpg"},"height":2295,"width":3425,"images":[{"@type":"oa:Annotation","@id":"https://api.fitz.ms/data-distributor/iiif/object-178791/image/17/zoom","motivation":"sc.painting","on":"https://api.fitz.ms/data-distributor/iiif/object-178791/canvas/17","resource":{"@type":"dctypes:Image","format":"image/jpeg","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-693556988/full/full/0/native.jpg","height":2295,"width":3425,"service":{"@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-693556988","@context":"http://iiif.io/api/image/1/context.json","profile":"http://iiif.io/api/image/2/level2.json"}}}]}]}],"license":"https://creativecommons.org/licenses/by-nc-nd/4.0/","attribution":"These images are \u00a9 The Fitzwilliam Museum. These works are licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0) https://creativecommons.org/licenses/by-nc-nd/4.0/"}