{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://api.fitz.ms/data-distributor/iiif/object-178423/manifest","label":"cutting (manuscript)","metadata":[{"label":"Description","value":"PHYSICAL DESCRIPTION: Parchment, 183 x 180 mm, two four-line staves ruled in red ink and two lines of fragmentary text on reverse, largely obscured by paper to which they were formerly pasted.\n\nCONTENTS: Part of the second antiphon at Vespers for Trinity Sunday, [Laus et perenni]s glo[ria Deo Patri et Filio], on reverse; the initial G would have introduced the first antiphon, Gloria tibi Trinitas.\n\nDECORATION: Historiated initial formed of stylized acanthus and architectural motifs on burnished gold ground: [G, height of two musical staves and two text lines] Throne of Mercy with heavenly choir, the Father\u2019s triangular halo is inscribed with the initials P[ater], F[ilius] and S[piritus sanctus]."}],"description":"PHYSICAL DESCRIPTION: Parchment, 183 x 180 mm, two four-line staves ruled in red ink and two lines of fragmentary text on reverse, largely obscured by paper to which they were formerly pasted.\n\nCONTENTS: Part of the second antiphon at Vespers for Trinity Sunday, [Laus et perenni]s glo[ria Deo Patri et Filio], on reverse; the initial G would have introduced the first antiphon, Gloria tibi Trinitas.\n\nDECORATION: Historiated initial formed of stylized acanthus and architectural motifs on burnished gold ground: [G, height of two musical staves and two text lines] Throne of Mercy with heavenly choir, the Father\u2019s triangular halo is inscribed with the initials P[ater], F[ilius] and S[piritus sanctus].","sequences":[{"@type":"sc:Sequence","@id":"https://api.fitz.ms/data-distributor/iiif/object-178423/sequence/normal","canvases":[{"@type":"sc:Canvas","@id":"https://api.fitz.ms/data-distributor/iiif/object-178423/canvas/0","label":"Throne of Mercy with heavenly choir, historiated initial from an Antiphoner","thumbnail":{"@type":"dctypes:Image","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-2411120226/full/150,/0/native.jpg"},"height":3500,"width":3429,"images":[{"@type":"oa:Annotation","@id":"https://api.fitz.ms/data-distributor/iiif/object-178423/image/0/zoom","motivation":"sc.painting","on":"https://api.fitz.ms/data-distributor/iiif/object-178423/canvas/0","resource":{"@type":"dctypes:Image","format":"image/jpeg","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-2411120226/full/full/0/native.jpg","height":3500,"width":3429,"service":{"@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-2411120226","@context":"http://iiif.io/api/image/1/context.json","profile":"http://iiif.io/api/image/2/level2.json"}}}]},{"@type":"sc:Canvas","@id":"https://api.fitz.ms/data-distributor/iiif/object-178423/canvas/1","label":"Throne of Mercy with heavenly choir, historiated initial from an Antiphoner","thumbnail":{"@type":"dctypes:Image","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-3741712127/full/150,/0/native.jpg"},"height":4008,"width":4579,"images":[{"@type":"oa:Annotation","@id":"https://api.fitz.ms/data-distributor/iiif/object-178423/image/1/zoom","motivation":"sc.painting","on":"https://api.fitz.ms/data-distributor/iiif/object-178423/canvas/1","resource":{"@type":"dctypes:Image","format":"image/jpeg","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-3741712127/full/full/0/native.jpg","height":4008,"width":4579,"service":{"@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-3741712127","@context":"http://iiif.io/api/image/1/context.json","profile":"http://iiif.io/api/image/2/level2.json"}}}]}]}],"license":"https://creativecommons.org/licenses/by-nc-nd/4.0/","attribution":"These images are \u00a9 The Fitzwilliam Museum. These works are licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0) https://creativecommons.org/licenses/by-nc-nd/4.0/"}