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(foliated a, b, 2-122; fol. a is pasted on the verso of a seventeenth-century paper leaf; fol. b is bound upside down; the original fol. 1 has been excised) + i paper flyleaf, 655 x 438 mm (445 x 278 mm), 5 four-line musical staves ruled in red ink, 5 text lines in between ruled in pale black ink, equivalent in all to 30 lines\n\nBINDING: Seventeenth century, brown stained paper over wooden boards, sewn on six supports, leather spine and corner pieces attached to boards with metal bosses.\n\nCONTENTS:\nfol. a  Introit for Quinquagesima Sunday\nfol. b  Texts and music for Quinquagesima\nfols. 1r-121r Texts and music from Quinquagesima to the Saturday of the second week of Lent\nfols. 121v-122v Gradual texts for the feast of the Dominican tertiary, St Rosa of Lima canonised in 1671 (later addition)\n\nDECORATION: Historiated initial of gold foliage on black ground, within a dull purple-red frame with white rinceaux background: fol. a Introit of the Mass for Quinquagesima Sunday, [E, 10 ll.] Christ healing the blind man, set in a landscape with a classical column in the background, a rectangular panel beside the initial contains the artist's signature on a scroll, I: BAT: ROSE: MINIABAT.\n\nORNAMENTATION: Five large gold framed border blocks containing green, blue and purple-pink acanthus leaves on a red rinceaux ground running up the full length of the outer borders for the Tracts for Quinquagesima Sunday, Ash Wednesday, First Sunday of Lent, Feria IV of the first week of Lent and the Second Sunday of Lent (fols. 5v, 18r, 37r, 62r, 89r); gold initials [5-6 ll.] on coloured foliage grounds within gold frames (e.g. fols. 28v, 37r) or red and blue initials [5-6 ll.] on coloured foliage grounds (e.g. fol. 25r) for Introits, Psalm verses, Graduals, Tracts, Versicles, Responsories, and the Offertory and Communion verses."}],"description":"PHYSICAL DESCRIPTION: Parchment, 123 fols. (foliated a, b, 2-122; fol. a is pasted on the verso of a seventeenth-century paper leaf; fol. b is bound upside down; the original fol. 1 has been excised) + i paper flyleaf, 655 x 438 mm (445 x 278 mm), 5 four-line musical staves ruled in red ink, 5 text lines in between ruled in pale black ink, equivalent in all to 30 lines\n\nBINDING: Seventeenth century, brown stained paper over wooden boards, sewn on six supports, leather spine and corner pieces attached to boards with metal bosses.\n\nCONTENTS:\nfol. a  Introit for Quinquagesima Sunday\nfol. b  Texts and music for Quinquagesima\nfols. 1r-121r Texts and music from Quinquagesima to the Saturday of the second week of Lent\nfols. 121v-122v Gradual texts for the feast of the Dominican tertiary, St Rosa of Lima canonised in 1671 (later addition)\n\nDECORATION: Historiated initial of gold foliage on black ground, within a dull purple-red frame with white rinceaux background: fol. a Introit of the Mass for Quinquagesima Sunday, [E, 10 ll.] Christ healing the blind man, set in a landscape with a classical column in the background, a rectangular panel beside the initial contains the artist's signature on a scroll, I: BAT: ROSE: MINIABAT.\n\nORNAMENTATION: Five large gold framed border blocks containing green, blue and purple-pink acanthus leaves on a red rinceaux ground running up the full length of the outer borders for the Tracts for Quinquagesima Sunday, Ash Wednesday, First Sunday of Lent, Feria IV of the first week of Lent and the Second Sunday of Lent (fols. 5v, 18r, 37r, 62r, 89r); gold initials [5-6 ll.] on coloured foliage grounds within gold frames (e.g. fols. 28v, 37r) or red and blue initials [5-6 ll.] on coloured foliage grounds (e.g. fol. 25r) for Introits, Psalm verses, Graduals, Tracts, Versicles, Responsories, and the Offertory and Communion 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