{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://api.fitz.ms/data-distributor/iiif/object-169703/manifest","label":"other","metadata":[{"label":"Description","value":"PHYSICAL DESCRIPTION: Parchment, iii modern paper flyleaves + 82 fols. + ii modern paper flyleaves, 214 x 162 (165 x 97) mm, 19 \u2013 20 long lines, ruled in hard point, quire marks.\n\nBINDING: 19th century, before 1818, black leather over pasteboards, rectangular frame with floral motifs, blue and white endbands, spine with signature \u2018Rel. P. Simier\u2019; this is Ren\u00e9 Simier (1772-1843), one of the most important binders of the Restoration in France, who became binder to Louis XVIII in 1818 and began to sign his binding \u2018Simier R. du Roi\u2019 (Travier 2003).\n\nCONTENTS: fols. 1v \u2013 66v Blessings for the Temporal and Sanctoral combined, beginning with Christmas Eve and ending with the Advent season; fols. 66v \u2013 73r Blessings for the Common of the Saints; fols. 73v \u2013 75r Bessings for the dedication of a church; fols. 75r \u2013 82r Blessings for bishops, a synod, kings, fasts and various special occasions.\n\nDECORATION: fol. 1r Sketch made with a stylus: decorative page with interlaced border, in lower half bishop reading a benediction from a book held for him by a cleric who is accompanied by two other figures.\n\nORNAMENTATION: Gold and silver initials [9 \u2013 11 ll.] formed of interlaced bands outlined in red, some with foliate motifs, others monogrammed (e.g. IN Nomine, fol. 1v; BENEdictione in cotidianis diebus, fol. 13v; D(omin)NE, fol. 50r) at major text divisions; gold and silver initials [3 \u2013 5 ll.] outlined in red with interlaced bands, foliate motifs, and occasional small dragon heads (e.g. fol. 6v, 29v) for benedictions; display script in red uncials [1 \u2013 2 ll.] filled in with plain dabs or strokes of fluid gold for the headings of the major benedictions; display script in red or black with gold for the lesser headings and Amens."}],"description":"PHYSICAL DESCRIPTION: Parchment, iii modern paper flyleaves + 82 fols. + ii modern paper flyleaves, 214 x 162 (165 x 97) mm, 19 \u2013 20 long lines, ruled in hard point, quire marks.\n\nBINDING: 19th century, before 1818, black leather over pasteboards, rectangular frame with floral motifs, blue and white endbands, spine with signature \u2018Rel. P. Simier\u2019; this is Ren\u00e9 Simier (1772-1843), one of the most important binders of the Restoration in France, who became binder to Louis XVIII in 1818 and began to sign his binding \u2018Simier R. du Roi\u2019 (Travier 2003).\n\nCONTENTS: fols. 1v \u2013 66v Blessings for the Temporal and Sanctoral combined, beginning with Christmas Eve and ending with the Advent season; fols. 66v \u2013 73r Blessings for the Common of the Saints; fols. 73v \u2013 75r Bessings for the dedication of a church; fols. 75r \u2013 82r Blessings for bishops, a synod, kings, fasts and various special occasions.\n\nDECORATION: fol. 1r Sketch made with a stylus: decorative page with interlaced border, in lower half bishop reading a benediction from a book held for him by a cleric who is accompanied by two other figures.\n\nORNAMENTATION: Gold and silver initials [9 \u2013 11 ll.] formed of interlaced bands outlined in red, some with foliate motifs, others monogrammed (e.g. IN Nomine, fol. 1v; BENEdictione in cotidianis diebus, fol. 13v; D(omin)NE, fol. 50r) at major text divisions; gold and silver initials [3 \u2013 5 ll.] outlined in red with interlaced bands, foliate motifs, and occasional small dragon heads (e.g. fol. 6v, 29v) for benedictions; display script in red uncials [1 \u2013 2 ll.] filled in with plain dabs or strokes of fluid gold for the headings of the major benedictions; display script in red or black with gold for the lesser headings and Amens.","sequences":[{"@type":"sc:Sequence","@id":"https://api.fitz.ms/data-distributor/iiif/object-169703/sequence/normal","canvases":[{"@type":"sc:Canvas","@id":"https://api.fitz.ms/data-distributor/iiif/object-169703/canvas/1","label":"Benedictional","thumbnail":{"@type":"dctypes:Image","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-2159370418/full/150,/0/native.jpg"},"height":4008,"width":5344,"images":[{"@type":"oa:Annotation","@id":"https://api.fitz.ms/data-distributor/iiif/object-169703/image/1/zoom","motivation":"sc.painting","on":"https://api.fitz.ms/data-distributor/iiif/object-169703/canvas/1","resource":{"@type":"dctypes:Image","format":"image/jpeg","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-2159370418/full/full/0/native.jpg","height":4008,"width":5344,"service":{"@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-2159370418","@context":"http://iiif.io/api/image/1/context.json","profile":"http://iiif.io/api/image/2/level2.json"}}}]},{"@type":"sc:Canvas","@id":"https://api.fitz.ms/data-distributor/iiif/object-169703/canvas/2","label":"Benedictional","thumbnail":{"@type":"dctypes:Image","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-3749205092/full/150,/0/native.jpg"},"height":5344,"width":4008,"images":[{"@type":"oa:Annotation","@id":"https://api.fitz.ms/data-distributor/iiif/object-169703/image/2/zoom","motivation":"sc.painting","on":"https://api.fitz.ms/data-distributor/iiif/object-169703/canvas/2","resource":{"@type":"dctypes:Image","format":"image/jpeg","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-3749205092/full/full/0/native.jpg","height":5344,"width":4008,"service":{"@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-3749205092","@context":"http://iiif.io/api/image/1/context.json","profile":"http://iiif.io/api/image/2/level2.json"}}}]},{"@type":"sc:Canvas","@id":"https://api.fitz.ms/data-distributor/iiif/object-169703/canvas/3","label":"Benedictional","thumbnail":{"@type":"dctypes:Image","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-712620362/full/150,/0/native.jpg"},"height":5344,"width":4008,"images":[{"@type":"oa:Annotation","@id":"https://api.fitz.ms/data-distributor/iiif/object-169703/image/3/zoom","motivation":"sc.painting","on":"https://api.fitz.ms/data-distributor/iiif/object-169703/canvas/3","resource":{"@type":"dctypes:Image","format":"image/jpeg","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-712620362/full/full/0/native.jpg","height":5344,"width":4008,"service":{"@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-712620362","@context":"http://iiif.io/api/image/1/context.json","profile":"http://iiif.io/api/image/2/level2.json"}}}]}]}],"license":"https://creativecommons.org/licenses/by-nc-nd/4.0/","attribution":"These images are \u00a9 The Fitzwilliam Museum. These works are licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0) https://creativecommons.org/licenses/by-nc-nd/4.0/"}