{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://api.fitz.ms/data-distributor/iiif/object-169659/manifest","label":"book of hours","metadata":[{"label":"Description","value":"PHYSICAL DESCRIPTION: Parchment, iv 20th century paper flyleaves + ii 18th century paper flyleaves + 181 fols. + iv contemporary parchment flyleaves + iv 20th century paper flyleaves, 101 x 72 (53 x 35) mm, 14 long lines, ruled in dark pink ink, leaves lost before fol.1 and between fols. 4 \u2013 5\n\nBINDING:  Early 20th century, black-tooled red leather over pasteboards, by Wilson, Cambridge.\n\nCONTENTS: fols. 1r \u2013 5r Fifteen Oes (start imperfectly); fols. 5r \u2013 17v Suffrages\nfols. 18r \u2013 81v Hours of the Virgin, with memoriae at Lauds; fols. 82r \u2013 110r Penitential Psalms and Litany; fols. 111r \u2013 149v Office of the Dead; fols. 150r \u2013 172r Commendation of the soul; fols. 173r \u2013 181v Psalms of the Passion.\n\nDECORATION: Fifteen historiated initials in gold on pink and blue white-patterned grounds with partial floral and spraywork borders for Suffrages and Hours of the Virgin: fol. 5r [G, 7 ll.] St John the Baptist; fol. 7r [G, 7 ll.] Martyrdom of St Thomas of Canterbury; fol. 9r [G, 7 ll.] St George; fol. 10v [S, 7 ll.] St Christopher; fol. 12r [G, 7 ll.] St Mary Magdalene; fol. 13v [G, 7 ll.] St Catherine; fol. 15r [G, 7 ll.] St Barbara; fol. 16v [G, 7 ll.] St Margaret; fol. 29v Hours of the Virgin, Lauds, [D, 7 ll.] Visitation; fol. 51r Prime [D, 7 ll.] Adoration of the Child; fol. 57r Terce [D, 7 ll.] Annunciation to the Shepherds; fol. 60v Sext [D, 7 ll.] Adoration of the Magi; fol. 64r None, [D, 7 ll.] Presentation in the Temple; fol. 67v Vespers, [D, 7 ll.] Massacre of the Innocents; fol. 70v Compline, [C, 7 ll.] Flight into Egypt.\n\nORNAMENTATION:  Blue or pink white-patterned initials [5 \u2013 6 ll.] with foliage infill on gold grounds, three-sided bar-borders, and full acanthus, foliage and spraywork borders for some major and lesser text divisions; gold initials [2 ll.] on pink and blue white-patterned grounds; alternate blue and gold one-line initials with red or black pen-flourishing; blue and gold abstract linefillers."}],"description":"PHYSICAL DESCRIPTION: Parchment, iv 20th century paper flyleaves + ii 18th century paper flyleaves + 181 fols. + iv contemporary parchment flyleaves + iv 20th century paper flyleaves, 101 x 72 (53 x 35) mm, 14 long lines, ruled in dark pink ink, leaves lost before fol.1 and between fols. 4 \u2013 5\n\nBINDING:  Early 20th century, black-tooled red leather over pasteboards, by Wilson, Cambridge.\n\nCONTENTS: fols. 1r \u2013 5r Fifteen Oes (start imperfectly); fols. 5r \u2013 17v Suffrages\nfols. 18r \u2013 81v Hours of the Virgin, with memoriae at Lauds; fols. 82r \u2013 110r Penitential Psalms and Litany; fols. 111r \u2013 149v Office of the Dead; fols. 150r \u2013 172r Commendation of the soul; fols. 173r \u2013 181v Psalms of the Passion.\n\nDECORATION: Fifteen historiated initials in gold on pink and blue white-patterned grounds with partial floral and spraywork borders for Suffrages and Hours of the Virgin: fol. 5r [G, 7 ll.] St John the Baptist; fol. 7r [G, 7 ll.] Martyrdom of St Thomas of Canterbury; fol. 9r [G, 7 ll.] St George; fol. 10v [S, 7 ll.] St Christopher; fol. 12r [G, 7 ll.] St Mary Magdalene; fol. 13v [G, 7 ll.] St Catherine; fol. 15r [G, 7 ll.] St Barbara; fol. 16v [G, 7 ll.] St Margaret; fol. 29v Hours of the Virgin, Lauds, [D, 7 ll.] Visitation; fol. 51r Prime [D, 7 ll.] Adoration of the Child; fol. 57r Terce [D, 7 ll.] Annunciation to the Shepherds; fol. 60v Sext [D, 7 ll.] Adoration of the Magi; fol. 64r None, [D, 7 ll.] Presentation in the Temple; fol. 67v Vespers, [D, 7 ll.] Massacre of the Innocents; fol. 70v Compline, [C, 7 ll.] Flight into Egypt.\n\nORNAMENTATION:  Blue or pink white-patterned initials [5 \u2013 6 ll.] with foliage infill on gold grounds, three-sided bar-borders, and full acanthus, foliage and spraywork borders for some major and lesser text divisions; gold initials [2 ll.] on pink and blue white-patterned grounds; alternate blue and gold one-line initials with red or black pen-flourishing; blue and gold abstract linefillers.","sequences":[{"@type":"sc:Sequence","@id":"https://api.fitz.ms/data-distributor/iiif/object-169659/sequence/normal","canvases":[{"@type":"sc:Canvas","@id":"https://api.fitz.ms/data-distributor/iiif/object-169659/canvas/0","label":"Book of Hours, Masters of the Beady Eyes","thumbnail":{"@type":"dctypes:Image","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-801775189/full/150,/0/native.jpg"},"height":5344,"width":4008,"images":[{"@type":"oa:Annotation","@id":"https://api.fitz.ms/data-distributor/iiif/object-169659/image/0/zoom","motivation":"sc.painting","on":"https://api.fitz.ms/data-distributor/iiif/object-169659/canvas/0","resource":{"@type":"dctypes:Image","format":"image/jpeg","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-801775189/full/full/0/native.jpg","height":5344,"width":4008,"service":{"@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-801775189","@context":"http://iiif.io/api/image/1/context.json","profile":"http://iiif.io/api/image/2/level2.json"}}}]},{"@type":"sc:Canvas","@id":"https://api.fitz.ms/data-distributor/iiif/object-169659/canvas/1","label":"St Catherine, Book of Hours","thumbnail":{"@type":"dctypes:Image","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-3802439041/full/150,/0/native.jpg"},"height":5344,"width":4008,"images":[{"@type":"oa:Annotation","@id":"https://api.fitz.ms/data-distributor/iiif/object-169659/image/1/zoom","motivation":"sc.painting","on":"https://api.fitz.ms/data-distributor/iiif/object-169659/canvas/1","resource":{"@type":"dctypes:Image","format":"image/jpeg","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-3802439041/full/full/0/native.jpg","height":5344,"width":4008,"service":{"@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-3802439041","@context":"http://iiif.io/api/image/1/context.json","profile":"http://iiif.io/api/image/2/level2.json"}}}]},{"@type":"sc:Canvas","@id":"https://api.fitz.ms/data-distributor/iiif/object-169659/canvas/2","label":"St John the Baptist, Book of Hours","thumbnail":{"@type":"dctypes:Image","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-2277496593/full/150,/0/native.jpg"},"height":5344,"width":4008,"images":[{"@type":"oa:Annotation","@id":"https://api.fitz.ms/data-distributor/iiif/object-169659/image/2/zoom","motivation":"sc.painting","on":"https://api.fitz.ms/data-distributor/iiif/object-169659/canvas/2","resource":{"@type":"dctypes:Image","format":"image/jpeg","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-2277496593/full/full/0/native.jpg","height":5344,"width":4008,"service":{"@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-2277496593","@context":"http://iiif.io/api/image/1/context.json","profile":"http://iiif.io/api/image/2/level2.json"}}}]}]}],"license":"https://creativecommons.org/licenses/by-nc-nd/4.0/","attribution":"These images are \u00a9 The Fitzwilliam Museum. These works are licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0) https://creativecommons.org/licenses/by-nc-nd/4.0/"}