{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://api.fitz.ms/data-distributor/iiif/object-156458/manifest","label":"plaque","metadata":[{"label":"Description","value":"Rectangular very convex copper plaque, enamelled in grisaille and with pale pink on a black ground, and gilded. The black appears dark mulberry-brown round the edges. The technique of enlevage was used to model the figures. The reverse has cloudy, and bubbly translucent counter-enamel with many pin holes of different sizes, and red oxidization spots.                                 \nThe action takes place inside the temple. On the left is a doorway with a horizontal architrave, and on the right, an archway with a circular window above it. To left of centre there is a row of receding cylindrical columns and to the right on the wall, a sconce with a lighted candle. Christ stands in front of the columns, whielding a twisted rope in his right hand to drive the money lenders away. His back is turned to the viewer and he looks down towards a money lender who lies on his back on the ground at his feet, with an upturned stool table, a bag of money and a heap of gold coins beside him. Two men flee towards the arch on the right, in which are three other men, and a priest who is looking towards the action. On the left is an upturned stool, a man holding a sacrificial sheep, and three partly visible figures, one a woman, standing beside the doorway. Above the circular window there is a tabella ansata bearing the initials \u2018M.D.\u2019 with a dot inside the D. The gilding is restricted to the heap of coins, Christ\u2019s aureole, the candle flame, and a line round the edge of the scene."}],"description":"Rectangular very convex copper plaque, enamelled in grisaille and with pale pink on a black ground, and gilded. The black appears dark mulberry-brown round the edges. The technique of enlevage was used to model the figures. The reverse has cloudy, and bubbly translucent counter-enamel with many pin holes of different sizes, and red oxidization spots.                                 \nThe action takes place inside the temple. On the left is a doorway with a horizontal architrave, and on the right, an archway with a circular window above it. To left of centre there is a row of receding cylindrical columns and to the right on the wall, a sconce with a lighted candle. Christ stands in front of the columns, whielding a twisted rope in his right hand to drive the money lenders away. His back is turned to the viewer and he looks down towards a money lender who lies on his back on the ground at his feet, with an upturned stool table, a bag of money and a heap of gold coins beside him. Two men flee towards the arch on the right, in which are three other men, and a priest who is looking towards the action. On the left is an upturned stool, a man holding a sacrificial sheep, and three partly visible figures, one a woman, standing beside the doorway. Above the circular window there is a tabella ansata bearing the initials \u2018M.D.\u2019 with a dot inside the D. The gilding is restricted to the heap of coins, Christ\u2019s aureole, the candle flame, and a line round the edge of the scene.","sequences":[{"@type":"sc:Sequence","@id":"https://api.fitz.ms/data-distributor/iiif/object-156458/sequence/normal","canvases":[{"@type":"sc:Canvas","@id":"https://api.fitz.ms/data-distributor/iiif/object-156458/canvas/2","label":"Christ driving the moneylenders from the temple, Limoges plaque by Martial Ydieux","thumbnail":{"@type":"dctypes:Image","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-1423264343/full/150,/0/native.jpg"},"height":4992,"width":3328,"images":[{"@type":"oa:Annotation","@id":"https://api.fitz.ms/data-distributor/iiif/object-156458/image/2/zoom","motivation":"sc.painting","on":"https://api.fitz.ms/data-distributor/iiif/object-156458/canvas/2","resource":{"@type":"dctypes:Image","format":"image/jpeg","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-1423264343/full/full/0/native.jpg","height":4992,"width":3328,"service":{"@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-1423264343","@context":"http://iiif.io/api/image/1/context.json","profile":"http://iiif.io/api/image/2/level2.json"}}}]},{"@type":"sc:Canvas","@id":"https://api.fitz.ms/data-distributor/iiif/object-156458/canvas/3","label":"Christ driving the moneylenders from the temple, Limoges plaque by Martial Ydieux (back)","thumbnail":{"@type":"dctypes:Image","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-1480183682/full/150,/0/native.jpg"},"height":4992,"width":3328,"images":[{"@type":"oa:Annotation","@id":"https://api.fitz.ms/data-distributor/iiif/object-156458/image/3/zoom","motivation":"sc.painting","on":"https://api.fitz.ms/data-distributor/iiif/object-156458/canvas/3","resource":{"@type":"dctypes:Image","format":"image/jpeg","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-1480183682/full/full/0/native.jpg","height":4992,"width":3328,"service":{"@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-1480183682","@context":"http://iiif.io/api/image/1/context.json","profile":"http://iiif.io/api/image/2/level2.json"}}}]}]}],"license":"https://creativecommons.org/licenses/by-nc-nd/4.0/","attribution":"These images are \u00a9 The Fitzwilliam Museum. These works are licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0) https://creativecommons.org/licenses/by-nc-nd/4.0/"}