{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://api.fitz.ms/data-distributor/iiif/object-156438/manifest","label":"plaque","metadata":[{"label":"Description","value":"Rectangular convex copper plaque with a hole in each corner, enamelled en grisaille with a little flesh pink on a black ground, and gilded. Clear counter-enamel unevenly applied with blobs in the top right quarter, and on the lower edge. A large red area of copper in that quarter. Two prisoners are seated side by side in front of a wall in which there is a barred arched window. Thier legs and arms are in stocks Christ enters from a doorway on the right. He has a gold aurole, and is bearded, long-haired, and bare-footed. He wears a long gown with a cloak over it. His arms are held out towards the prisoners. A gaoler with his back to the viewer, is unlocking the prisoner on the left. The gaoler wears a cap with a feather in it, a tunic, trunk hose and shoes. The edges of Christ\u2019s robes and the gaoler\u2019s clothes are outlined in gold. A white panel running across the bottom of the panel, is inscribed in black with gold over it, T\u2022NO9\u2022PAIDONE\u2022.NOZ\u2022 FFESES\u2022 AINSY/ E\u2022 NOVS\u2022 PARDONOS\u2022A. CEVLX\u2022 Q/NOVS\u2022ONT\u2022OFFENSE\u2019 (And pardon our offences as we pardon them that offend us). A gold line runs round the scene and the inscription. The reverse is inscribed in black with the number \u2018VI\u2019. ADD line over Q and N and O in PARDONOS\nThe plaque is set in an ill-fitting, rectangular, gilt-metal frame with repeating formal leaf border. The plaque is held into the frame by four bent over pins attached to the cardinal points on the reverse."}],"description":"Rectangular convex copper plaque with a hole in each corner, enamelled en grisaille with a little flesh pink on a black ground, and gilded. Clear counter-enamel unevenly applied with blobs in the top right quarter, and on the lower edge. A large red area of copper in that quarter. Two prisoners are seated side by side in front of a wall in which there is a barred arched window. Thier legs and arms are in stocks Christ enters from a doorway on the right. He has a gold aurole, and is bearded, long-haired, and bare-footed. He wears a long gown with a cloak over it. His arms are held out towards the prisoners. A gaoler with his back to the viewer, is unlocking the prisoner on the left. The gaoler wears a cap with a feather in it, a tunic, trunk hose and shoes. The edges of Christ\u2019s robes and the gaoler\u2019s clothes are outlined in gold. A white panel running across the bottom of the panel, is inscribed in black with gold over it, T\u2022NO9\u2022PAIDONE\u2022.NOZ\u2022 FFESES\u2022 AINSY/ E\u2022 NOVS\u2022 PARDONOS\u2022A. CEVLX\u2022 Q/NOVS\u2022ONT\u2022OFFENSE\u2019 (And pardon our offences as we pardon them that offend us). A gold line runs round the scene and the inscription. The reverse is inscribed in black with the number \u2018VI\u2019. ADD line over Q and N and O in PARDONOS\nThe plaque is set in an ill-fitting, rectangular, gilt-metal frame with repeating formal leaf border. The plaque is held into the frame by four bent over pins attached to the cardinal points on the reverse.","sequences":[{"@type":"sc:Sequence","@id":"https://api.fitz.ms/data-distributor/iiif/object-156438/sequence/normal","canvases":[{"@type":"sc:Canvas","@id":"https://api.fitz.ms/data-distributor/iiif/object-156438/canvas/2","label":"The Lord's Prayer VI, Limoges enamel by Colin Nouailher","thumbnail":{"@type":"dctypes:Image","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-1463366954/full/150,/0/native.jpg"},"height":4992,"width":3328,"images":[{"@type":"oa:Annotation","@id":"https://api.fitz.ms/data-distributor/iiif/object-156438/image/2/zoom","motivation":"sc.painting","on":"https://api.fitz.ms/data-distributor/iiif/object-156438/canvas/2","resource":{"@type":"dctypes:Image","format":"image/jpeg","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-1463366954/full/full/0/native.jpg","height":4992,"width":3328,"service":{"@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-1463366954","@context":"http://iiif.io/api/image/1/context.json","profile":"http://iiif.io/api/image/2/level2.json"}}}]},{"@type":"sc:Canvas","@id":"https://api.fitz.ms/data-distributor/iiif/object-156438/canvas/3","label":"The Lord's Prayer VI, Limoges enamel by Colin Nouailher (back)","thumbnail":{"@type":"dctypes:Image","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-2041719207/full/150,/0/native.jpg"},"height":4992,"width":3328,"images":[{"@type":"oa:Annotation","@id":"https://api.fitz.ms/data-distributor/iiif/object-156438/image/3/zoom","motivation":"sc.painting","on":"https://api.fitz.ms/data-distributor/iiif/object-156438/canvas/3","resource":{"@type":"dctypes:Image","format":"image/jpeg","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-2041719207/full/full/0/native.jpg","height":4992,"width":3328,"service":{"@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-2041719207","@context":"http://iiif.io/api/image/1/context.json","profile":"http://iiif.io/api/image/2/level2.json"}}}]}]}],"license":"https://creativecommons.org/licenses/by-nc-nd/4.0/","attribution":"These images are \u00a9 The Fitzwilliam Museum. These works are licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0) https://creativecommons.org/licenses/by-nc-nd/4.0/"}