{"@context":"http://iiif.io/api/presentation/2/context.json","@type":"sc:Manifest","@id":"https://api.fitz.ms/data-distributor/iiif/object-156427/manifest","label":"plaque","metadata":[{"label":"Description","value":"Rectangular convex copper plaque with arched top, enamelled on a white ground in dark blue, turquoise, yellow, pink, mulberry, brown, black, grey and white, and gilded. The reverse has clear counter-enamel.The Nativity is shown in an open loggia with a timber roof supported by a column. The Christ Child lies in the centre behind a turquoise wattled fence, watched by an ox and ass behind a similar fence. Mary kneels on the right with her hands together in prayer. She has fair hair, and wears a dark blue cloak over a mulberry dress. Joseph approaches through the door of a grey building on the left, raising his cap with his right hand and carrying a candle in his left. He has grey hair and beard, a blue hat, a mulberry tunic, and yellow boots (only one visible). The foreground is turquoise and in the background there are turquoise trees. The dark blue sky is scattered with gold stars, among which is one large star with rays. There are gold lines running round the door of the building, the edges of Mary\u2019s cloak, and the edge of the candle, and the timbers of the roof are heavily gilded. \nThe plaque has carved wooden frame (A) in the form of a tabernacle with a half-figure of God the Father above the pediment with a shell-shaped niche above, and a winged cherub's head between foliated scrolls at the bottom.  A rectangle in the middle of the pediment and a horizontal line above the lower moulding are gilded."}],"description":"Rectangular convex copper plaque with arched top, enamelled on a white ground in dark blue, turquoise, yellow, pink, mulberry, brown, black, grey and white, and gilded. The reverse has clear counter-enamel.The Nativity is shown in an open loggia with a timber roof supported by a column. The Christ Child lies in the centre behind a turquoise wattled fence, watched by an ox and ass behind a similar fence. Mary kneels on the right with her hands together in prayer. She has fair hair, and wears a dark blue cloak over a mulberry dress. Joseph approaches through the door of a grey building on the left, raising his cap with his right hand and carrying a candle in his left. He has grey hair and beard, a blue hat, a mulberry tunic, and yellow boots (only one visible). The foreground is turquoise and in the background there are turquoise trees. The dark blue sky is scattered with gold stars, among which is one large star with rays. There are gold lines running round the door of the building, the edges of Mary\u2019s cloak, and the edge of the candle, and the timbers of the roof are heavily gilded. \nThe plaque has carved wooden frame (A) in the form of a tabernacle with a half-figure of God the Father above the pediment with a shell-shaped niche above, and a winged cherub's head between foliated scrolls at the bottom.  A rectangle in the middle of the pediment and a horizontal line above the lower moulding are gilded.","sequences":[{"@type":"sc:Sequence","@id":"https://api.fitz.ms/data-distributor/iiif/object-156427/sequence/normal","canvases":[{"@type":"sc:Canvas","@id":"https://api.fitz.ms/data-distributor/iiif/object-156427/canvas/2","label":"The Nativity, Limoges enamel by Pierre Reymond","thumbnail":{"@type":"dctypes:Image","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-1787314572/full/150,/0/native.jpg"},"height":4992,"width":3328,"images":[{"@type":"oa:Annotation","@id":"https://api.fitz.ms/data-distributor/iiif/object-156427/image/2/zoom","motivation":"sc.painting","on":"https://api.fitz.ms/data-distributor/iiif/object-156427/canvas/2","resource":{"@type":"dctypes:Image","format":"image/jpeg","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-1787314572/full/full/0/native.jpg","height":4992,"width":3328,"service":{"@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-1787314572","@context":"http://iiif.io/api/image/1/context.json","profile":"http://iiif.io/api/image/2/level2.json"}}}]},{"@type":"sc:Canvas","@id":"https://api.fitz.ms/data-distributor/iiif/object-156427/canvas/3","label":"The Nativity, Limoges enamel by Pierre Reymond (back)","thumbnail":{"@type":"dctypes:Image","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-653868781/full/150,/0/native.jpg"},"height":4992,"width":3328,"images":[{"@type":"oa:Annotation","@id":"https://api.fitz.ms/data-distributor/iiif/object-156427/image/3/zoom","motivation":"sc.painting","on":"https://api.fitz.ms/data-distributor/iiif/object-156427/canvas/3","resource":{"@type":"dctypes:Image","format":"image/jpeg","@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-653868781/full/full/0/native.jpg","height":4992,"width":3328,"service":{"@id":"https://api.fitz.ms/data-distributor/iiif/image/portfolio-media-653868781","@context":"http://iiif.io/api/image/1/context.json","profile":"http://iiif.io/api/image/2/level2.json"}}}]}]}],"license":"https://creativecommons.org/licenses/by-nc-nd/4.0/","attribution":"These images are \u00a9 The Fitzwilliam Museum. These works are licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0) https://creativecommons.org/licenses/by-nc-nd/4.0/"}